Intro to the Counter Balanced Leg Position

If you’ve had a live lesson with Mediterra you may have been introduced to the Counter-Balance Leg Position (CBL). Just as the front of your body is locked into Streamline Position while the recovery arm is swinging forward, in the back end, you would lock your feet into the CBL position so that the entire body underwater is counter-balanced and stabilized during that recovery swing. The CBL provides these advantages:

  • It helps counter-balance and stabilize the asymmetric rotated Streamline Position in front.
  • Coming into CBL position absorbs the rotation force of the torso rotation that flows down the legs, keeping them straight behind the body rather than sway side to side on each rotation.
  • The particular position of the legs creates a line of tension through the Streamline Side of the body which urges the legs to stay near (parallel to) the surface.
  • It is the position with legs poised for the next 2 Beat Press – no additional movement is needed to get ready to press the leg.

Perhaps the easiest way of finding the leg position by making the Skate side foot ‘pigeon-toed’. 

While keeping the knee fairly straight, turn the big toe of the Streamline-side foot inward and pointed at the heel of the other foot. Turn the big toe far enough that it urges your hip to turn with it. You’ll notice that this turn of the foot, corresponds to the turn of the hip, which supports the rotated Streamline Position. In the image below notice how the upper (Streamline side) foot has the big toe behind and pointed toward the ankle of the other foot. This is the CBL position.

I used the ‘pigeon toe’ term to give us an , but I also use some other pictures to get the idea across, such as the ‘Crescent Moons’ term in the image below, to convey the arcing motion the feet make when switching to the other side. This image shows the feet in the counter-balanced leg position. This would also be the position of the (upper) foot poised to press down in an arc for the 2 Beat Press motion.

The Counter-Balanced Leg position seen from behind.

 

The Counter-Balanced Leg position seen from the side. 

 

Instructions For Getting Into CBL

We first teach you how to place the Streamline side foot in pigeon toe position – seen above in this rear view image. Notice how the upper (Streamline side) foot has the big toe behind and pointed toward the heel of the other foot. This is the CBL position.

This inward-turned foot position creates torque in the hip joint, urging it to also turn inward. Then (keeping the knee fairly straight) rotate the ankle outward, arcing the big toe from pointing-in position to pointing-out position, in order to urge the hip to turn outward. Feel the direct connection between turn of ankles and turn of the hips.

First practice starting in this counter-balanced leg position, and make one smooth arc of the streamline side foot as you switch to your other side streamline position. Add no pressure to the foot’s downward motion, just let the toes make a smooth arc outward.

As you finish the rotation, come to the distinct ‘pigeon toe’ position on the other side and hold both feet in that stacked position. Do not move feet out of this position until the next switch of the arms in front. No extra wiggles. Don’t bring feet back to the middle.

Warning: if you bring the feet back together in the middle point, between kicks, your legs will start swaying side to side during the stroke.

Come immediately to this CBL position and hold it steady, with feet seemingly stacked and the legs will stay straighter, more compact behind the body, like the tail of a jet plane.

Keep the heel of the Streamline side foot below surface of the water by turning the heel outward a bit more. This also creates more space for a more powerful press. By arcing the foot (which means turning the ankle, to turn the hip) rather than bending at the knee, you tap into the hip torque principle and can enhance the torso rotation more, while keeping the legs in a very compact space.

You may view some drills for developing this counter-balanced leg position and the 2 Beat Press in the Knowledge Base.

Counter-Balanced Leg Position Drills

  • Standing rehearsal, with ‘Pigeon Toe’ foot on the skate side
  • Balance position, with ‘Windshield Wiper’ feet

Cues

  • Keep toes pointed comfortably (as in Tippy Toes)
  • Stack the Streamline side foot (to what feels like) on top of the other foot
  • Make one smooth switch of the legs – no extra wiggles between
  • Both legs switch to the opposite CBL position and lock in place – no extra movement until next switch (do not bring feet back together in the middle)
  • When switching legs, only the Streamline side leg presses while the other leg slides passively to its poised Pigeon Toe position
  • Resist bending the knees – allow them only to flex slightly
  • Toes of the pressing foot may gently brush the the other foot while switching
  • Practice arcing feet in smaller space – resist spreading the legs very far
  • Knees remain very close to each other
  • Press the foot smoothly and steadily – at about the same rate as the torso rotates

Why Practice at Really Slow Tempos?

Swimming at slower-than-comfortable tempo you will challenge your ability to maintain balance, stability and streamline.

It will expose weakness and limitations in your skills that are still present when you swim at your normal tempo, but you may not be aware of how those weaknesses are affecting you. Working at extremely slow tempos will make you aware of those weaknesses and give you the opportunity to improve them. It will create even more ease for you at your normal Tempos.

It is not recommended that you swim often with extremely slow tempos because this can put a strain on your joints – some people try to increase the power of each stroke and distort the extension of the body to squeeze more distance per stroke – but if you do this occasionally, and for short periods of time, you can make some important observations and see where you need to work on improving control in balance, stability or streamline skills.

Practice Set for Form Streamline Shape

Skills To Develop

  • To maintain balance skills and…
  • Hold long, straight, firm Streamline, from fingers to ankle
  • Hold low, stable rotation angle

You want to feel long, straight, sleek and stable at a low-rotation angle in Streamline Position. Along with the sensations from Balance skills, you want to see that you can slide parallel to the line on the bottom of the pool and to slide farther, more easily, the more streamlined and stable your body is. Sliding in Streamline for 6 seconds with these positive feedback signs is a good goal to work towards.

 

Practice Set

Choose 2 or 3 of the cues from the lesson to work on today.

Then, for each cue, work through these activities, as far as you can go successfully. Take one cue and work through the list. Then take the next cue and work through the list again, and so on.

  • 4x on each side Balance Position To Streamline for 6 seconds (time of comfortable breath hold)
  • 4 rounds of starting in Balance Position for 1 second, then Streamline Position for 2 seconds, then take 4 strokes
  • 4 rounds of ‘6 whole strokes’ holding the same focal point (no breathing)
  • 2 rounds of ‘4x whole strokes, Interrupted Breathing, 4x whole strokes’
  • 2 rounds of 2x length of pool, whole strokes with interrupted breathing

Lesson for Form Streamline Shape

In the first freestyle fundamental lesson we work on Forming Streamline Shape.

This lesson will help you establish the second of our Four Essential Features of the freestyle stroke which encompass lengthening, balance and streamline skills.

Below is the outline of the drills and attention cues, with links to video demonstrations of the drills. The following lists of activities and the lists of cues may contain more items than you experienced in your lesson. The instructor will watch the time and your pace of learning and choose a certain sequence of activities and the few most relevant cues for you to work with.

 

Skills

  • To maintain Build The Frame skills and…
  • Hold long, straight, firm Streamline, from fingers to ankle
  • Hold low, stable rotation angle

You want to feel long, straight, sleek and stable at a low-rotation angle in Streamline Position. Along with the sensations from Build The Frame skills, you want to see that you can slide parallel to the line on the bottom of the pool and slide farther, more easily, the more streamlined and stable your body is. Sliding in Streamline for 6 seconds with these positive feedback signs is a good goal to work towards.

 

Drills

 

Cues

To help you pay attention, interpret, and send commands to particular parts of your body your instructor gave you a selection of cues in each drill. There are more cues on the lists below than you were given in your lesson, as the instructor chose a few to get you going, without overwhelming you with too many details. You may be able to figure out the meaning of the others you were not originally exposed to.

  • Cues for Scapula Slide Position and…
  • Scapula of lead arm stays slide forward
  • Lead Arm stays on Wide Track
  • Head Stays Anchored (it does not turn with torso)
  • Back hand tucked deep into pocket (keep arm underwater)
  • Low Rotation Angle (rotate just off your stomach)
  • Upper shoulder blade touches the air
  • Lower shoulder blade just below the surface
  • Light flutter of the feet (if necessary to prolong time in drill)

Intro to Form Streamline Shape

Form Streamline Shape Introduction

This introduction refers to the second of our Four Essential Features of the freestyle stroke: Form Streamline Shape.

The Streamline Position

 

 

Streamline Position is the start and the finish position for every stroke in freestyle. This position is the most hydrodynamic (low drag) shape you will be in during the stroke cycle, and the moment you will experience the most forward movement. Streamline Position is how you deliver the flow of force through the body into forward motion. In this position, your body line most easily parts water molecules ahead so that your body can occupy that space instead. The more smoothly, the more uniformly and therefore the more quickly those water molecules move out of the way, the faster you will travel forward. 

Streamline Position is the most important skill of all because it is determines much of how well you convert effort into forward motion and it is the platform on which you swing the recovery arm forward and the platform on which you take an easier rhythmic breath. You cannot practice Streamline Position too much because there are so many ways to make it better, stronger, more stable.

 

 

Imagine how a speed skater places her weight confidently on the skate and transfers the wave of momentum into that skate to accelerate forward. That skate blade is long, straight, sharp, and stable. It receives the wave of force and conducts it onto the ice and the skater slides forward. The skater is holds herself with stability on that single skate, over one side of the body, while drawing the other leg forward, getting ready to unleash another wave of force into the other skate on the other side. Stability in this position is crucial to maintaining rhythm and momentum.

The Streamline Position has some lessons we can learn from this action in ice skating. At this moment in the water, you are shaped into your most streamline position, holding a slightly rotated angle, while leaning (laying your weight) onto that streamline side of the body. That streamline side of the body receives the wave of force you generated in the stroke and conducts it forward into the lead arm and leading edges of the body to put that force to work parting water molecules ahead. You hold this position with stability that comes from core muscle strength and control, while the other side of the body brings up the recovery arm to prepare to unleash another wave of force into the Streamline Position on the other side. 

 

 

A good streamline position is:

•  slightly rotated (about 30 degrees)

•  a straight line from wrist to ankle (as seen from above)

•  stretched (without twisting or tilting the spine) from wrist to ankle, especially from shoulder to hip

•  stable for at least 2 seconds

 

 

In your lesson you will learn how to form this streamline shape and learn how to hold it with stability for a few seconds, long enough to be able to swing your recovery arm forward in a relaxed and controlled way.

This position is critical – everything else you do in the stroke will depend on your ability to slip into the position immediately and hold it steady while other actions are taking place.